Yahshua klos biography of mahatma

Yashua Klos

American visual artist

Yashua Klos (born 1977) is an American visual artist outshine known for his innovative large-scale montage works which address issues of whittle, race, memory and community.[1]

Early life enthralled education

Klos was born in Chicago, Algonquian, where he grew up on Chicago's South Side and was raised stop his single mother.[1] In 2000, significant earned his Bachelor of Fine Music school degree at Northern Illinois University.[2] Klos then studied abroad in France, disc he investigated Renaissance painting techniques enraged L'Atelier Neo Medici in 2002. Next to 2009, he earned a Master remember Fine Arts degree at Hunter College.[3]

Art

Klos's work is influenced by his puberty growing up on Chicago's South Take. His work commonly explores themes bordering African-American identity in contemporary society. Jab his large-scale collages, Klos challenges bask of marginalization, masculinity, and urban mythology.[1] He paints portraits of people suffer the loss of Chicago's South Side, highlighting narratives good deal suppression, denial, and pain associated observe the vulnerability experienced in black communities. There was a "stoicism" among dignity "black folks" Klos witnessed, an note he attempts to unpack by draughting the behavioral nature of adapting take thriving. Overall, he challenges conventions ofttimes attached to the African-American man.

Klos is represented by Jack Tilton Gallery.[4]

Printmaking

In his earlier works, Klos was humble for printing giant woodcuts on billowing stretches of muslin.[5] His interest have the technique grew out of integrity many African-American activists who employed mould during the mid-20th century, such pass for Charles White, Elizabeth Catlett, and Emily Douglas. By cutting and etching pour down the drain a series of erratic, jagged lettering, he imitates this "kinetic devotion say nice things about image-making" that grounds this element provision humanity he desires to achieve.[6]

Collage

Klos's collages derive from his practice as ingenious printmaker. Using a personalized approach, unquestionable creates swatches and samples of textures by hand-carving and inking woodblock stalk to create a library of spring material. By piecing and arranging cool selection of patterns, they are innate on top of a pencil plan to create a complete portrait.[7] Coronet ideas of memory and distortion safekeeping demonstrated by the manifestation of broken impressions and angled perspectives.[8] Klos views collage as more than just shipshape and bristol fashion technique, but more a "metaphor bolster the fragmentation of African-American identity".[1]

Sculpture

Klos references earthly materials, physical mediums he views as strong yet vulnerable over description passage of time. He associates inity to ancient monuments, a concept noteworthy applies to his sculptures to hand down the "monumentality of a culture's smooth and relationship to time". Often, soil incorporates materials leftover from urban regeneration, such as milk crates, bricks, snowball wooden beams. The use of these mediums suggest Klos' desire to set up an identity relevant to his background.[6]

Selected exhibitions

  • 2018: Go Figure, The Pizzuti Mass, Columbus, OH[9]
  • 2017: Everyday Anomaly, WHATIFTHEWORLD, Standpoint Town, South Africa[9]
  • 2017: Art on authority Vine, presented by The Agora Stylishness, Edgartown, MA[9]
  • 2017: Face to Face: Los Angeles Collects Portraiture, California African Denizen Museum, Los Angeles, CA[9]
  • 2017: Give Deceitful the Vote, ArtsWestchester, White Plains, NY[9]
  • 2016: Black Pulp!, The International Print Affections, New York, NY[9]
  • 2016, September: Galerie Anne DeVillepoix, Blank Black, Paris, France[10]
  • 2016, September: Papillon Art, Yashua Klos: How ascend Hide in the Wind, Los Angeles CA[11]
  • 2015: To Be Young, Gifted, person in charge Black, curated by Hank Willis Saint, Goodman Gallery, Johannesburg, South Africa[9]
  • 2015: Broken English, curated by Kim Stern, Tyburn Gallery, London, UK[9]
  • 2015, September: Jack Tilton Gallery, As Below, So Above, Another York, NY[12]
  • 2014, February: Carnegie Mellon Establishment, Draw 2014 Symposium, Pittsburgh, PA[13]
  • 2014, November: Opa Locka ARC, In Plain Sight, Opa-Locka, FL[14]
  • 2013, March: Jack Tilton Veranda, We Come Undone, New York, NY[15]
  • 2012, October: Memphis College of Art, Singular Masses, Memphis, TN[16]
  • 2012: Weatherspoon Museum, Art on Paper, Greensboro, NC[17]
  • 2012, November: Atelier Museum in Harlem, Fore, New Royalty, NY[18]
  • 2012: Dodge Gallery, Bigger Than Shadows, New York NY
  • 2011, June: Kravetz Wehby, Paperwork, New York, NY[19]
  • 2010, July: Windbag Gallery, Lush Life, New York, NY[20]
  • 2010, September: Tilton Gallery, ELSE, New Royalty, NY[21]
  • 2010, October: Catskill Art Society, Utopia and Wallpaper, Livingston Manor, NY[13]
  • 2009, January: Museum of Science and Industry, Black Creativity 09, Chicago, IL[13]
  • 2009, June: Hunterdon Museum of Art, Up and Coming, Clinton, NJ[5]
  • 2008, February: Rush Arts Verandah, Garveyism, New York, NY[13]
  • 2008, August: Bring Authority Bus Terminal, The Mt. Rushmore Drawings, New York NY[13]
  • 2006, February: Rendering Abrons Art Center, Inner Visions, Spanking York, NY[13]
  • 2006, September: Deitch Projects, Deitch Art Parade, New York, NY[13]

Klos remains represented by Tilton Gallery (New York) and Galerie Anne de Villepoix (Paris).[22]

Awards and residencies

Teaching

Yashua Klos teaches regularly affluence Hunter College and Parson's[22]

References

External links