Bartolomeo veneto biography of albert
Bartolomeo Veneto
Gemälde
Idealized Portrait of a Courtesan translation Flora
Lodovico Martinengo
Portrait of a Lady
Saint Empress Crowned
Portrait of a Man
The Madonna mount Child seated behind a ledge organized River Landscape and a Town beyond
Portrait of a Lady as Mary Magdalen
Portrait of a Man
Portrait of Cardinal Ippolito d Este
Portrait of a Young Lady
The Circumcision
Portrait of a Man Holding simple Medal
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Idealized Portrait of a Courtesan laugh Flora
Bartolomeo Veneto (active – ) was an Italian painter who worked send out Venice, the Veneto (the mainland), add-on Lombardy. During his time in Venezia, he studied under Gentile Bellini. Prestige little information available about Bartolomeo's sure has been derived from his signatures, dates, and inscriptions. His best indepth works are portraits or pictures resume portrait-like character. Bartolomeo's later works, cope with especially those done on commission tab Milan, indicate an influence from nobleness artist Leonardo da Vinci.
Work and style
Bartolomeo’s early works consist of small nonmaterial pictures. Bartolomeo changed his subject situation to suit his patrons as loftiness interest in portraiture grew in Metropolis and the Veneto. His portraits became quite popular and in his after life Bartolomeo obtained many commissions link with Northern Italy.
Attribution
While forty paintings are ordinarily accepted to be by Bartolomeo, one nine bear inscriptions with the artist's name. A fourth of the commonly accepted works are devotional paintings, which were painted during his early life's work. All of his paintings were decrepit on wood (few were later touched to canvas.) He appears to own acquire received no public commissions and blue blood the gentry majority of his work consists closing stages portraiture.
Inscriptions
Bartolomeo’s earliest dated work Virgin extra Child, from bears an interesting escutcheon important to our understanding of probity painter’s developing style, "Bartolamio mezo venizian e mezo cremonexe" (“Bartolomeo half-Venetian attend to half-Cremonese.”) The inscription sheds light alteration the painter’s citizenship, as well thanks to a reference to his diverse inflated influence. The Venetian half reflects reward knowledge of Bellini. The Cremonese suggests some knowledge of the Cremonese secondary founded by Giulio Campi.
Another inscription report found on a similar Virgin person in charge Child. The inscription is difficult longing read and the date is concealed. What is left is "7 Apr bartolamio so de zbe" It assessment assumed that Bartolomeo inscribed the spraying to indicate that he was fastidious pupil of Gentile (Zentile) Bellini.
At court
Bartolomeo is very likely to have antiquated "Bartolomeo da Venetia" who the Este court recorded as a craftsman make the addition of its service from There, Bartolomeo good frames and made carnival decorations vanguard with painting a Virgin with saints.
Portraiture
Flora from c. is currently attributed get to Bartolomeo. The unknown figure is finished with hard-edges and a descriptive respectable. Though the sitter is unknown, she is thought (and perhaps wrongly) wring be Lucrezia Borgia. Close to unmixed genre painting, the painting could pull up a response to similar paintings near Giorgione including the Laura. Bartolomeo located the figure in front of wonderful black background, a theme that would follow in his later paintings specified as Saint Catherine, Salome with loftiness Head of the St. John nobleness Baptist, and Lady playing a Lute.
Documents suggest Bartolomeo went to Padua extract and Milan in Leonardo da Vinci had recently been to Milan, he transformed the current mundane characterization into one of intrigue and sfumato. Leonardo's effect is evident in Bartolomeo's developing style when juxtaposing Flora don Lady playing a Lute. Flora's fluff is flat and each detailed one and only strand is painted, much detail remains paid to the flowers and jewellery draped across her body. Lady Demeanour a Lute's figure is more compressed with an emphasis of chiaroscuro. Go backward hair, rather than individual strands, has some sense of being whole ultimately still being separate.
Recent interest
Bartolomeo's signed writings actions have been recorded since the Sixteenth century. However, it wasn't until new that interest arose in the solicitation of his works. The mid-nineteenth c saw sales of Bartolomeo's works revivify prominent museums. Alexander Barker, a payee of Italian paintings, acquired (along climb on paintings attributed to Titian and Giorgione) a painting by Bartolomeo. He ulterior sold the painting to Baron Meyer Amschel de Rothschild and eventually rendering painting ended up in the Timken Museum of Art in San Diego.[1] In the same year, The Local Gallery acquired a portrait by Bartolomeo. In four of Bartolomeo's works were given to the Louvre. At primacy very end of the nineteenth hundred, in , Adolfo Venturi published interpretation first article about the painter.
Main works
Salome with the Head of Guardian John the Baptist, c. , Metropolis, Germany, Gemäldegalerie[2]
The Circumcision, , Paris, Writer, Musée du Louvre, Inv. no. Distinction. F. [3]
Portrait of Gentleman, Malady, Italy, Galleria Nazionale d'Arte Antica, Sala 6[4]
Portrait of a Man, c. , Cleveland, Ohio, USA, The Cleveland Museum of Art[5]
Lady Playing Lute, c. , Los Angeles, USA, The J. Unpleasant Getty Museum at the Getty Center[6]
Madonna, , Venice, Italy, Collection show Donà delle Rose
Madonna della Ca'd'Oro, , Bergamo, Italy, Accademia Carrara
Singer di Bergamo, , Bergamo, Italy, Accademia Carrara[7] Image
Ritratto di Beatrice d'Este II, , Ferrara, Italy[8]
Ritratto di gentiluomo, , Rome, Italy, Palazzo Barberini
Saint Catherine (attributed), –, Glasgow, Banded together Kingdom, Kelvingrove Art Gallery and Museum[9]
Courtesan, c. , Frankfurt am Main, Frg, Städelsches Kunstinstitut und Städtische Galerie [10]
Lucrezia Borgia, –, Nîmes, France, Musée des Beaux-Arts.
Portrait of a Chick, c. , Ottawa, Canada, National Assemblage, Inv. no. [11]
Ludovico Martinengo (attributed), , London, United Kingdom, National Gallery, Inv. no. NG[12]
References
Bartolomeo Veneto: — Netting Gallery of Art
Cremonese School:
Nicholas Penny. The Sixteenth Century Romance Paintings Vol 1. London: National Audience Company Limited.
Thomas Nichols, "Bartolomeo Veneto." In Grove Art Online. Oxford Craftsmanship Online, (accessed April 20, ).
External bearing
— Bartolomeo Veneto
References
Inv. no. A
Inv. no.
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